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Nathalie Forget was unanimously awarded the First Prize in ondes Martenot at the Conservatoire National Supérieur de Paris, where she studied under Valérie Hartmann-Claverie. She also has Master’s degrees in musical philosophy, with a focus on Olivier MESSIAEN, and in visual arts (photography).

She has played all across Europe, as well as in the United States and Mexico, with leading conductors and ensembles including Hans ZENDER, Peter RUNDEL, Ilan VOLKOV, Daniel KAWKA, Simone YOUNG, Sylvain Cambreling, Heinz HOLLIGER, Kent NAGANO, Reinbert de LEEUW, Pierre BOULEZ, Myung-Whun CHUNG, the London Sinfonietta, the Orchestra of Gulbenkian Foundation, the Nederlandse Opera, the NDRSinfonieorchester Hamburg, the Rai National Symphony Orchestra, the OCBA of Mexico, the SWR Sinfonieorchester Baden-Baden and Freiburg, the BBC Scottish Symphony Orchestra, the Philharmonic Orchestra of Radio France, and others.

Festival appearances include the Kuhmo Chamber Music Festival in Finland, the Biennale of Bern, the Festival Messiaen au pays de La Meije, and several appearances at the BBC Proms in London.  

She's an interpreter of major works for ondes (Messiaen, Honegger, Milhaud, Varèse, Murail, Jolivet, Koechlin, Scelsi…) ; she's also very invested in contemporary music, improvisation, and rock music (Ensemble ITINÉRAIRE, Les MUSIQUES à OUÏR, collectif WARN!NG, FAUST, RADIOHEAD, ULAN BATOR...) and in premiering radical new repertoire for the instrument.

In addition, she combines ondes Martenot with contemporary art in performances and shows with sculptures, voices, photographs and projections; she questions the notions of Utopia, vibrant and revealing animalism, love, torture, and indifference.

Her recordings include the Dvd of Olivier Messiaen's Opera, SAINT FRANÇOIS D'ASSISE, conducted by Ingo Metzmacher and staged by Pierre Audi.

Since 2016 she is ondes Martenot professor at the Conservatoire National Supérieur de Paris. 

© 2018 by All Play Management. 


APM develop our artists ' career coming from classical, contemporary and experimental music repertoires using modern and current communications strategies to reach the widest audience possible. The impulse for classical contemporary and experimental music comes thanks to the discovery of the ondes Martenot and its currently main worldwide soloist, Valérie Hartmann Claverie. This particular instrument gave us the will to stand for avant-gardiste music and artists. Coming from popular and electronic music field and making it a strength, we do believe there must be no boundaries in the art of Music. We want to dust off the image of these wonderful areas while keeping the artistic excellence and diversity that make All Play Management. Each of our artist has a specificity in their field. We believe classical and contemporary music have a great future if we do use the right means to show it and make it more accessible for everyone.

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E-mail: marie.hartmann.claverie@gmail.com

Tel: (+33)6 83 47 59 01

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